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FEATURED CONTENT

AS SOUND MIXER/RECORDIST

COMMERCIAL

SCRIPTED

DOCUMENTARY

CREDIT HIGHLIGHTS

AS SOUND MIXER/RECORDIST

2022

"PROCESSION"

FEATURE FILM

2020

"LOVE FRAUD"

S1, 4 EPISODES

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2019

"QUEER EYE"

S3 & 4, 16 EPISODES

2018

"UNDERCOVER HIGH"

S1, 11 EPISODES

ABOUT

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Screengrab from US Bank "High Value" Ad

As a production sound mixer I know that my job is to provide you with clean, high quality recordings - and I know that most of the time you won't hear the sound I've recorded until you hit the edit bay. There's a lot of trust involved there and I don't take that lightly - If we've worked together you know that you never have to worry about surprises after the shoot is over. I'll always do my best to communicate my needs for delivering what's needed & be clear about any limitations - even in on-the-fly, high pressure situations. In addition - my work in post-production as a dialogue editor gives me a more precise definition and high standard for what I aspire to deliver every single time. I approach my job on set holistically - I realize sound isn't the only department and I have a solid understanding of how all departments come together to create. I try to be easy going, show respect and put folks at ease - whether I'm reassuring a director that we got what we need or wiring a documentary subject who's about to bear their soul to the camera. 

Screengrab from "Electing Lincoln" BTS on Curiosity Stream

GEAR & RATES

I proudly own & operate high quality, well maintained & industry standard gear from Sound Devices, Lectrosonics, Sennheiser, Sanken, Denecke, Ambient & K-Tek among others. Please feel free to reach out for my most recent rate card or for a specific estimate for the particular needs of your shoot.

ADDITIONAL SERVICES

AUDIO POST-PRODUCTION

I also provide audio post-production services including dialogue editing, adr, sound design, custom foley & re-recording mix through Plus Minus Audio Post which I co-own and operate with my partner Tyler Bachert.

CONSULTATION

While most would benefit from some degree of this - some projects necessitate a singular vision. Especially in something like a scripted narrative where the desired end result is something more lush, stylized & specific - in my opinion, this can inform how sound is captured on set in a big way. There are often missed opportunities to achieve a more authentic soundtrack because certain things weren't conceived of early enough in the process. I love to be brought on as early as possible in a project to help develop & execute the vision for your project from both a creative & technical perspective. 

© 2024 by dB Professional Audio Services

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